Bibliography
Primary Texts
Dramatic Texts
Anon. The Female Wits: or, The Triumverate of Poets at Rehearsal. London: William Turner, William Davies, Bernard Lintott and Thomas Brown, 1704.
Behn, Aphra. The Forc’d Marriage, or, The Jealous Bridegroom. London: R. Bentley, 1671.
—. Abdelazar, or, The Moor’s Revenge. London: J. Magnes and R. Bentley, 1677.
—. The Rover, or, The Banish’d Cavaliers, Part I. London: J. Amery, 1677.
—. The Feign’d Courtizans, or, A Nights Intrigue: A Comedy. London: J. Tonson, 1679.
Cary, Elizabeth. The Tragedie of Mariam. 1613.
Cavendish, Margaret. “The Convent of Pleasure.” In Plays, Never before Printed. London: A. Maxwell, 1668.
Finch, Anne. “Aristomenes, or, the Royal Shepherd.” In Miscellany Poems, on Several Occasions. London: J. Barber, 1713.
—. “The Triumphs of Love and Innocence.” In The poems of Anne, Countess of Winchilsea, edited by Myra Reynolds. Chicago: University of Chicago Press, 1903.
Ford, John. ‘Tis Pitty Shee’s a Whore. Acted by the Queenes Maiesties Servants at the Phoenix in Drury-Lane. London: N. Okes and R. Collins, 1633.
Manley, Delarivier. The Lost Lover, or, The Jealous Husband: A Comedy. London: R. Bently, F. Saunders, J. Knapton, and R. Wellington, 1696.
—. The Royal Mischief: A Tragedy. London: R. Bentley, F. Saunders and J. Knapton, 1696.
Pix, Mary. Ibrahim, the Thirteenth Emperour of the Turks: A Tragedy. London: J. Harding and R. Wilkin, 1696.
—. The Beau Defeated, or, the Lucky Younger Brother: A Comedy. London: W. Turner and R. Baffet, 1700.
—. The Innocent Mistress: A Comedy. London: J. Orme and F. Cogan, 1697.
—. The Spanish Wives: A Farce. London: R. Wellington, 1696.
Trotter, Catherine. Agnes de Castro: A Tragedy. London: H. Rhodes, R. Parker and S. Briscoe, 1696.
—. The Fatal Friendship: A Tragedy. London: F. Saunders, 1698.
Non-Dramatic Texts
Anon. Women Triumphant: or, the Excellency of the Female Sex; Asserted in Opposition to the Male. London: Charles Stokes, 1721.
Cavendish, Margaret. “The Contract.” In The Blazing World. London: A. Maxwell, 1666.
Filmer, Sir Robert. Patriarcha or, the Natural Powers of the Kings of England Asserted and Other Political Works, edited by P. Laslett. Blackwell, 1949.
Gould, Robert. “A Satyr against the Play-House.” In Poems, chiefly consisting of Satyrs and Satyrical Epistles. London: Self-published, 1689.
—. Love Given Over, or, A Satyr against the Pride, Lust, and Inconstancy, &c. of Woman. London: R. Bently and J. Tonson, 1690.
His Majesties Most Gracious and Royal Commission for the Relief of Poor Distressed Prisoners. London: Printed for M.D. and are to be sold by Nathaniel Webb, at the Royal Oak, in St. Paul’s Church-yard, 1664.
Knox, John. The First Blast of the Trumpet Against the Monstrous Regiment of Women. 1558.
Locke, John. Two Treatises of Government. 1689.
Passe, Crispijn van de, the Younger. Spiegel der alderschoonste Cortisanen deses tijds. Verbeeldende desselfs verandering van Klederen, Vercierselen, en andere Ornamenten, onder haar gebruikelijk. N.pl. n.pr. 1701.
Pepys, Samuel. The Diary of Samuel Pepys M.A. F.R.S. Edited by Henry B. Wheatley F.S.A. London: George Bell & Sons, 1893.
Philips, Katherine. Poems By the most deservedly Admired Mrs. Katherine Philips The Matchless Orinda. London: Printed by J. M. for H. Herringman, 1667.
Secondary Texts
Anderson, Misty. Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage. Palgrave-St. Martin’s Global, 2002.
Anderson, Penelope. Friendship’s Shadows: Women’s Friendship and the Politics of Betrayal in England, 1640-1705. Edinburgh University Press, 2012.
Backsheider, Paula. Spectacular Politics. Baltimore: Johns Hopkins University Press, 1993.
Bassnett, Susan. “Struggling with the Past: Women’s Theatre in Search of a History.” New Theatre Quarterly, 5: 18 (1989): 107–112.
Bennet, Susan. Theatre Audiences. London: Routledge, 1997.
—. “Decomposing History (Why Are There So Few Women in Theater History).” In Theorizing Practice: Redefining Theatre History, edited by W. B. Worthen and Peter Holland, 71–87. Basingstoke: Palgrave Macmillan, 2003.
Bertucci, Christopher. “Contagious Desire as Feminist Satire in Delarivier Manley’s The Royal Mischief.” Restoration: Studies in English Literary Culture, 1660-1700, vol. 41, no. 1, 2017, pp. 81-100.
Bratton, Jacky. New Readings in Theatre History. Cambridge: Cambridge University Press, 2003.
Brooks, Helen E. M. “Theorizing the Woman Performer.” In The Oxford Handbook of the Georgian Theatre, 1737-1832, edited by Julia Swindells and David Francis Taylor. Oxford Handbooks Online: March 2014. DOI: 10.1093/oxfordhb/9780199600304.013.038
Bush-Bailey, Gilli. Treading the Bawds: Actresses and Playwrights on the Late-Stuart Stage. Manchester and New York: Manchester University Press, 2006.
Butler, Judith. “Performative Acts and Gender Construction: An Essay in Phenomenology and Feminist Theory.” In Writing on the Body: Female Embodiment and Feminist Theory, edited by Katie Conboy, Nadia Medina and Sarah Stanbury. New York: Columbia University Press, 1997.
Byrne, Paula. Perdita: The Life of Mary Robinson. London: Harper Perennial, 2005.
Canning, Charlotte. “Constructing Experience: Theorizing a Feminist Theatre History.” Theatre Journal, Vol. 45, No. 4, Disciplinary Disruptions (December 1993): 529-540.
Cotton, Nancy. Women Playwrights in England c. 1363–1750. Toronto and London: Associated University Press, 1980.
Craig, Heidi. Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars. Cambridge: Cambridge University Press, 2023.
Daiches, David. A Critical History of English Literature, Vol. 2: The Restoration to the Present Day. Great Britain: Martin Secker and Warburg Limited, 1960.
Davis, Tracy C. “Questions for a Feminist Methodology in Theatre History.” In Interpreting the Theatrical Past, edited by Thomas Postlewait and Bruce A. McConachie, 59–81. Iowa: University of Iowa Press, 1989.
—. Actresses as Working Women. London and New York: Routledge, 1991.
—. “A Question of Context.” Theatre Survey, 45:2 (November 2004): 203–209.
Elshtain, Jean Bethke. Public Man, Private Woman: Women in Social and Political Thought. Princeton: Princeton University Press, 1981.
Evans, Richard J. “Prologue: What Is History? – Now” in What Is History Now?, edited by David Cannadine. Basingstoke, 1–18. New York and London: Palgrave Macmillan, 2002.
Findlay, Alison, Stephanie Hodgson-Wright and Gweno Williams. Women and Dramatic Production: 1550-1700.
Finke, Laurie A. “The Satire of Women Writers in ‘The Female Wits.’” Restoration: Studies in English Literary Culture, 1660-1700, Vol. 8, No. 2 (Fall 1984): 64-71.
Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic. New Haven and London: Yale University Press, 1979.
Gilder, Rosamond. Enter the Actress. London: George G. Harrap, 1931.
Goreau, Angeline. Reconstructing Aphra. Oxford: Oxford University Press, 1980.
Greenfield, Anne, editor. Castration, Impotence, and Emasculation in the Long Eighteenth Century. Routledge, 2020.
Grundy, Isobel. “English Women’s Various Harems.” In Ottoman Empire and European Theatre Vol. III: Images of Harem in Literature and Theatre, edited by Michael Hüttler, Emily M. N. Kugler and Hans Ernst Weidinger, 189-199. Vienna and Washington, D.C.: Hollitzer Verlag, 2015.
Hagstrum, Jean. The Sister Arts. Chicago: University of Chicago Press, 1958.
Hook, Lucyle (ed.). Introduction to The Female Wits (1704), The Augustan Reprint Society. Los Angeles: University of California, 1967.
Howe, Elizabeth. The First English Actresses: Women and Drama, 1660-1700. Cambridge: Cambridge University Press, 1992.
Hughes, Derek (ed.). Eighteenth-century Women Playwrights Vol. I. London: Pickering & Chatto, 2001.
Kahn, Coppelia. Man’s Estate: Masculine Identity in Shakespeare. University of California Press, 1981.
Kairoff, Claudia. “Anne Finch as Playwright: The Purposes of Manuscript and Print in Her Pro-Stuart Plays.” Restoration: Studies in English Literary Culture, 1660-1700, Vol. 38, No. 1 (Spring 2014): 19-40.
Kewes, Paulina. Authorship and Appropriation: Writing for the Stage in England, 1660–1710. Oxford: Clarendon Press, 1998.
King, Kathryn R. A Political Biography of Eliza Haywood. New York: Pickering & Chatto, 2012.
Nussbaum, Felicity. “The Brink of All We Hate”: English Satires on Women,1660-1750. University Press of Kentucky, 1984.
—. Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater. University of Pennysylvania Press, 2010.
Orgel, Stephen. The Illusion of Power: Political Theater in the English Renaissance. University of California Press, 1975.
Owen, Susan J. Perspectives on Restoration Drama. Manchester University Press, 2002.
Paster, Gail Kern. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Cornell University Press, 1993.
Pateman, Carole. The Sexual Contract. Stanford University Press, 1988.
Payne, Deborah C. “Reified Object or Emergent Professional? Retheorizing the Restoration Actress.” In Cultural Readings of Restoration and Eighteenth-century Theater, edited by Douglas Canfield and Deborah C. Payne, 13-38. Athens: University of Georgia Press, 1995.
Pearson, Jacqueline. The Prostituted Muse: Images of Women and Women Dramatists 1642–1737. Hemel Hempstead: Harvester Wheatsheaf, 1988.
Postlewait, Thomas and Bruce A. McConachie (eds.). Interpreting the Theatrical Past. Iowa: University of Iowa Press, 1989.
Pullen, Kirsten. Actresses and Whores: On Stage and in Society. Cambridge: Cambridge University Press, 2005.
Rabb, Miranda. Satire and Secrecy in English Literature 1650-1750. Palgrave Macmillan, 2007.
Raber, Karen. Dramatic Difference: Gender, Class, and Genre In the Early Modern Closet Drama. University of Delaware Press, 2001.
Ritchie, Fiona. “Shakespeare and the Eighteenth-century Actress.” Borrowers and Lenders: The Journal of Shakespeare and Appropriation, Vol. 2 No. 2 (Fall/Winter 2006), accessed on 6 April 2021. https://openjournals.libs.uga.edu/borrowers/article/view/2240.
Roberts, David. The Ladies: Female Patronage of Restoration Drama, 1660-1700. Oxford: Oxford Clarendon Press, 1989.
Solomon, Diana. “Anne Finch, Restoration Playwright.” Tulsa Studies in Women’s Literature, Vol. 30, No. 1 (Spring 2011): 37-56.
Spender, Dale. “’The Fair Triumvirate of Wits’: Aphra Behn, Delariviere Manley, Eliza Haywood.” In Mothers of the Novel: 100 Good Women Writers before Jane Austen, 47-111. New York: Routledge and Kegan Paul Inc., 1986.
Straub, Kristina. Sexual Suspects: Eighteenth-Century Players and Sexual Ideology. Princeton University Press, 1992.
Straznicky, Marta. Privacy, Playreading, and Women’s Closet Drama, 1550-1700. Cambridge University Press, 2004.
Summers, Montague. The Restoration Theatre. New York: Macmillan, 1934.
Todd, Janet. The Secret Life of Aphra Behn. London: André Deutsch, 1996.
White, Willow. Feminist Comedy: Women Playwrights of London. Newark: University of Delaware Press, 2024.
Wilson, J. H. All the King’s Ladies: Actresses of the Restoration. Chicago: University of Chicago Press, 1958.